Congratulations to Denise Blake for her paper, out today in Ocean and Coastal Management, Participatory mapping to elicit cultural coastal values for Marine Spatial Planning in a remote archipelago (free for 50 days). The paper is based on map-elicited cultural values mapping of the Falkland Islands coasts. This work was undertaken to inform the Marine Spatial Planning process underway in the Falklands, led by Amelie Auge, I really enjoyed advising on this project. The geographical and connectivity issues in the Falklands made a more typical web-based PPGIS (public participation GIS) process impossible, and so it called for careful design to elicit values from citizens. The analysis revealed particular hotspots of local value, but also that people were not particularly attached to areas near them.
My softcover edition of Sightlines (2012) looks like this.
While my first Kathleen Jamie experience, Findings (2005), came serendipitously while browsing the Halifax Central Library, my second was bought for me for Christmas by someone who knows me well. Dedicated “for the Island-goers” this spoke directly to me, fresh from the Falklands. Jamie is also a poet, and it is with such carefully chosen yet spare and modest language that she tackles these essays that work the vein between human and nature. Several concern remote islands and outcrops like St. Kilda and Rona, with historic human occupation that speaks of human ingenuity and fortitude, and where novel landscapes persist as a result. A favourite one conveys the zen experience of the Hvalsalen, the ‘whale hall’ in the Bergen Museum, its history and its renovation, which is recalled later in a meditation on the use of whalebone as memorial and in craft. One called ‘pathologies’ explores the human body as a habitat, for bacteria among other challenging organisms, inspired by our tendency to be selective about what we consider nature worth saving, or worthy of our awe. Yet another talks about Jamie’s experiences as a young archaeologist, excavating to ‘save’ history from development while erasing it. These are some of my favourites essays in this collection, which also have others focusing on natural phenomena like orca, aurora and seabirds. My preferences are not surprising given my interest in things social: after all, when presented with colonies of rockhopper penguins and black-browed albatrosses on West Falkland, I asked, “Can we go back and watch the shearing?”. Jamie needs to go next to the Falklands, given her fascination for remote islands, wind, and the history of human industry including whaling and agriculture. I think I’ll write and tell her.
A black-browed albatross patrols the rockhopper penguins, who are guarding their eggs, on a cliff at Dunbar, West Falkland.
Sky over Goose Green, enroute to the workboat, November, 2016.
When Alexandra Harris describes, in Weatherland, the slow introduction of real skies in English paintings, leading up to the cloud obsession of Constable in 1821-22, I cannot help but think of the Falkland Islands. My first trip I spent looking at the landscape, at large scales and small. This time, I was captivated by skies. As any visitor to the prairies knows, a lack of trees makes for big skies. But nothing is quite like the skies of the Falklands. No filters needed, or photographic skill. (It was hard to choose road trip music to suit such majesty, but I settled on London Grammar’s 2013 If You Wait.) The experience begged the question of where ‘landscape’ – my chosen research topic – ends: these skies are likely as fundamental to local identity as terrestrial (or marine) properties. A small sample of my pictures follows, in which land plays a very minor role indeed.
Epic skies over burnt farmland in the north of West Falkland, November, 2016.
Entering Port Howard at dusk, the view from the Concordia Bay workboat.
Sunset over Stanley Harbour, East Falkland, November 2016, with the wreck of the Jhelum (1870) to the right.
Lenticular clouds, North Camp, East Falkland, November 2016.
All kinds of weather brewing at Cape Pembroke, near Stanley, East Falkland, November 2016.