A balm to my sketchy mood on this unsettled Friday is Arcade Fire’s new anthem of consumerism, Everything Now. Besides its irresistible groove, the video is a showcase of energy landscapes and other used up utilitarian infrastructure, and the lyrics skewer the attitudes that propagate our footprint:
Every inch of sky’s got a star
Every inch of skin’s got a scar
I guess that you’ve got everything now
The only way it could be more perfect for my research program would be if there were some livestock trundling through that rangeland. Happy weekend, everyone.
A subset of Thaddeus Holownia’s series of a small wetland near his home.
In between storms, my family and I got out on the weekend for some wetland adventures. The Shubenacadie Wildlife Park is always popular with our small ones, though the wind chill sped it up more than usual. It was great to see the new(ish) developments and interpretations that connect the park more closely with the Greenwing Wetland Centre. They had snowshoes available to borrow, and we all gave them a go, though the smallest member of the family struggled at their size. In the afternoon, after a warm-up, came a visit to the Art Gallery of Nova Scotia, for their excellent show of Thaddeus Holownia‘s photography. Holownia is based around the Tantramar marsh, and while his photographs vary more widely in their geography, it was the local stuff I loved most. For instance, particularly intimate and moving was the above longitudinal series of photographs of a little manmade pond on his property near Jolicure, NB, over time and in different conditions. It was also wonderful to see his series on the erstwhile Radio Canada International shortwave towers near Sackville, NB, a missed landmark for me. My cellphone reproductions do not do the work justice: AGNS says on their website that there is an “attendant publication” for this show, but it was not available in the shop. Hopefully soon.
The faint sketches of the shortwave radio towers of Radio Canada International, captured by Thaddeus Holownia before their removal in the early 2010s.
I’m enjoying a stopover in Chicago on the way to the ISSRM in Michigan. The city has always been of interest to me, as a once-aspiring architect and child of the 80s, but this has been my first chance to visit. I re-watched Ferris Bueller’s Day Off on the flight here (happy 30th birthday), and headed straight for Frank Lloyd Wright sites in Oak Park upon arrival. A real highlight of my visit has been the Art Institute of Chicago special exhibition America After the Fall: Painting in the 1930s. This expertly curated and described exhibition explores the response of artists to the ‘fall from grace’ that America felt after the stock market crash of 1929: some looking backward to pastoral ideals and others conveying dust bowl realities; showing stoic tradition or grotesque modern life; and documenting the dominance of industry in landscape and economic life conveyed as utopias (in some work sponsored by corporations) or the opposite by socialists. The industrial (Charles Sheeler, Charles Demuth) and agricultural (Grant Wood, Alexander Hogue, Marvin Cone) landscapes were particularly compelling to me: telling of fears and hopes, as well as ambivalence. Functional landscapes were in eye as well as in mind as I travelled Chicago by L-train (elevated), which provides a great view of the working parts of the city, as well as its unique features such as the dominance of brick construction, steel bridges (including old drawbridges) over its many rivers, and water towers (which may have something to do with the Great Fire of Chicago, ca. 1871). I was also reminded of urban/nature juxtapositions at the wonderful Garfield Park Conservatory, where the marvelous fern room brought relief on a very hot day, in how the City Garden meadow beautifully framed industrial buildings. I look forward to returning to Chicago, maybe in a cooler season.
Industrial buildings for the Garfield Park Conservatory behind the natural meadow of its City Park
Very pleased to be able to share good news on new jobs for two recent lab alumni, Larissa Holman (MREM 2015) and Carlisle Kent (MREM/MLIS 2016). Larissa worked on the Mactaquac storymap in summer 2014, which was presented as a poster at ISSRM 2015 in Charleston as well as discussed recently in the NICHE newsletter. She has been on maternity leave since graduation but is starting a contract this month with the Ecology Action Centre working on daylighting a section of the Sawmill River running through Dartmouth. Carlisle has been working on contract doing bibliometrics and other secondary data analysis for the Reconciling Holistic Management project since her completion in December 2015. Immediately after finishing the contract with me at the end of this month, Carlisle will begin a contract with the Toronto and Region Conservation Authority, doing conservation records management as trained by the MLIS part of her Masters. There she will join past farm biodiversity lab alumna, Kate Goodale (MES 2013), now TRCA Coordinator for the Don & Highland Watersheds. Congratulations to Larissa and Carlisle both.