I’m enjoying a stopover in Chicago on the way to the ISSRM in Michigan. The city has always been of interest to me, as a once-aspiring architect and child of the 80s, but this has been my first chance to visit. I re-watched Ferris Bueller’s Day Off on the flight here (happy 30th birthday), and headed straight for Frank Lloyd Wright sites in Oak Park upon arrival. A real highlight of my visit has been the Art Institute of Chicago special exhibition America After the Fall: Painting in the 1930s. This expertly curated and described exhibition explores the response of artists to the ‘fall from grace’ that America felt after the stock market crash of 1929: some looking backward to pastoral ideals and others conveying dust bowl realities; showing stoic tradition or grotesque modern life; and documenting the dominance of industry in landscape and economic life conveyed as utopias (in some work sponsored by corporations) or the opposite by socialists. The industrial (Charles Sheeler, Charles Demuth) and agricultural (Grant Wood, Alexander Hogue, Marvin Cone) landscapes were particularly compelling to me: telling of fears and hopes, as well as ambivalence. Functional landscapes were in eye as well as in mind as I travelled Chicago by L-train (elevated), which provides a great view of the working parts of the city, as well as its unique features such as the dominance of brick construction, steel bridges (including old drawbridges) over its many rivers, and water towers (which may have something to do with the Great Fire of Chicago, ca. 1871). I was also reminded of urban/nature juxtapositions at the wonderful Garfield Park Conservatory, where the marvelous fern room brought relief on a very hot day, in how the City Garden meadow beautifully framed industrial buildings. I look forward to returning to Chicago, maybe in a cooler season.